Because I Counld Not Stop for Death

The analysis of the relationship between the life experiences and belief Emily Dickinson held and her poems by analyzing â€Å"Because I Could Not Stop for Death† Emily Elizabeth Dickinson (1830-1886), an American poet, was born in Amherst, Massachusetts. Living in a successful family which had an important status in the community, she lived a very introverted life. After having spent seven years in Amherst Academy, she carried on studying in Mount Holyoke Female Seminary for a short period of time. The locals considered her as an eccentric. Maybe this was the reason why she started to be noted for wearing white clothing, and seldom greeting visitors. One of her closest friend Thomas Wentworth Higginson said:† Emily emerged from her wonted retirement and did her part as gracious hostess; nor would any one have known from her manner, I have been told, that this was not a daily occurrence. † (http://www. gutenberg. org/dirs/etext01/1mlyd10. txt) Dickinson’s introverted world let her develop her unique thought and tone. Having never thought of letting the poems be published–it was called â€Å"the Poetry of the Portfolio,† –her poems were the full display of a writer’s own mind. However, the few works published in her life time were largely altered by the publishers to fit the contemporary poetic rules. Dickinson’s poems were unique in her times. Besides the unconventional writing format of poetry: â€Å"containing short lines, typically lack titles, and often utilize slant rhyme as well as unconventional capitalization and punctuation,† her religious belief and the unconventional utterance were evident to be perceived. â€Å"She loved to speak of a compassionate Savior and the grandeur of the Scriptures, but she disliked the hypocrisy and arbitrariness of institutional church. We can infer that the writer possessed her distinctive way to appreciate God. Moreover, she often mentioned immortality, death, and eternity in her poems. In Because I Could Not Stop for Death (1924), Because I could not stop for Death, He kindly stopped for me; The carriage held but just ourselves And Immortality. In the first stanza she portrayed the approach of death . In Calvinist dogma, â€Å"it is true that death passed upon all men through the First Adam† since he was expelled from the Garden and lost the reliance of immortality from Tree of Life and thus made death certain. http://geocities. com/shsnj_2000/theology/calvinism. html) (http://lifeafterdeath. eu/) The same belief can be inferred in the last stanza: Since then ‘t is centuries; but each Feels shorter than the day I first surmised the horses' heads Were toward eternity. The underlined two lines indicate that Dickinson assumed that with the accompanying of death she was resuming and reentering the immortality. After the sketchy understanding of the religious part of her composing background, then the following is the subconscious part of her composing background. According to William Cullen Bryant and Henry Thoreau, we can apply many of the characteristics of Dickinson’s verse in this poem: â€Å"2. Her style is elliptical — she will say no more than she must –suggesting either a quality of uncertainty or one of finality. † For example, she held the word eternity until the last word of the last stanza to point out the main theme. â€Å"3. Her lyrics are her highly subjective — she knows no other consciousness. † Emily Dickinson altogether used three I and at least ten me and my in this poem. Because the extremely limited life circle and introverted world, it was nothing more easier than applying the protagonism (the first person point of view) in the verse. â€Å"4. Ambiguity of meaning and syntax. Wrote Higginson: ‘She almost always grasped whatever she sought, but with some fracture of grammar and dictionary on the way. ’† For example, in the fifth stanza: We paused before a house that seemed (was) A swelling of the ground; The roof was scarcely visible, (and) The cornice (was not a cornice) but a mound. â€Å"5. Concreteness – it is nearly a theorem of lyric poetry that it is as good as it is concrete. Even when she is talking of the most abstract of subjects, Emily specifies it by elaborating it in the concreteness of simile or metaphor. † Here we go to talk about the figurative language. Dickinson used personification to portray Death as a kind and civil gentleman who accompanies her to pass the life that she is busy with and Death is like a suitor who comes calling for the narrator to escort her to eternity. And she too mentioned that the immortality is another passenger in the carriage. http://www. cummingsstudyguides. net/Guides2/Dickinson. html#Characters)Therefore, from the interaction between the personified Death and the speaker we can perceive that the speaker is a woman who is sound in her decision to leave. She is too naive concerning Death’s intension for her. â€Å"Frank Bernard states that ‘at [the] poem's opening the speaker is, to say the least, na ive . . . . She does not have the foresight to dress warmly. . . and there is no luggage. ’† (http://www. associatedcontent. com/article/657821/emily_dickinsons_because_i_could_not. html? cat=38) The metaphor in the poem is multiple: first, in the forth stanza, the speaker is only wearing gossamer, tippet, and tulle and feels cold. It means she had come to the late night of her life, and human race has nothing to armor themselves against the cold of death. Second, in the forth stanza, the writer chose the word gown to indicate that she went with death not with sadness but with the attitude to be a bride. Third, in the fifth stanza, the line â€Å"the tomb [is like] a house† points out that there is a place for her to dwell in the long time after passing away because death is not the end but â€Å"eternity. Forth, â€Å"The setting sun passed us† means that human race is a tiny existence that can only be dominated by the power of time. (http://www. cummingsstudyguides. net/Guides2/Dickinson. html#Top) The use of simile and irony are also significant: In the fifth stanza the writer used the simile:† a house that seemed a swelling of the ground. † It i ndicates that the tomb is a swelling of the ground. The use of the irony is in the third stanza: We passed the school, where children strove At recess, in the ring; We passed the fields of gazing grain, We passed the setting sun. The speaker illustrated the three images of the stage of life. Each of them is portrayed vividly, however, the speaker is getting away from them and soon entering the next stage, the final stage right after the sunset. â€Å"However, it is understood that when looking back on the experience, she realizes the significance of those seemingly mundane occurrences. † (http://www. associatedcontent. com/article/657821/emily_dickinsons_because_i_could_not. html? cat=38) Analyzing this poem by new criticism, the theme is clear. Though Dickinson's insights are profound, they are limited in topic. Because I could not stop for death† echoes the reoccurring theme of the inevitability of death. In this poem, Dickinson skillfully conveys that theme through a personification of Death as a courtly lover. Death is not the end but the eternity. (http://www. associatedcontent. com/article/657821/emily_dickinsons_because_i_could_not. html? cat=38) The Symbols in the poem are carriage, schoo l, fields, and the setting sun. The carriage symbolizes the procedure of death. As the carriage moves, human beings experience their lives in each stage get and more and more closer to the final destination of life (death). The school, fields, and the setting sun symbolize the early, middle, and late stage of life. The last one of the characteristics of Dickinson’s verse is obscurity and the space for another answer. Higginson said’ †¦ she was obscure, and sometimes inscrutable; and though obscurity is sometimes, in Coleridge's phrase, a compliment to the reader, yet it is never safe to press this compliment too hard. ’ â€Å" †¢ Is Death a kind, polite suitor? The speaker refers to his â€Å"kindness† and â€Å"civility. † He drives her slowly; is this an expression of tact and consideration for her? If he is the courteous suitor, then Immortality,who is also in the carriage (or hearse) would be their chaperon, a silent one. †¢ Is Death actually a betrayer, and is his courtly manner an illusion to seduce her? Because of his kindness in stopping for her, she agrees to go with him (â€Å"put away / My labor and my leisure too†). Is Death really cruel? She is not properly dressed for their journey; she is wearing only a gossamer gown and tulle tippet (gossamer: very light, thin cloth; tulle: a thin, fine netting used for veils, scarfs, etc. tippet: covering for the shoulders). Is Immortality really an accomplice to Death's deception? (http://academic. brooklyn. cuny. edu/english/melani/cs6/stop. html) From the above analysis it is not hard anymore for us to infer that Emily Dickinson who is a talented writer who conceived the vivid imagination in mind. Her life experiences and religious belief have influenced her verse a lot. From this poem Because I Could Not Stop for D eath the another indicated her interpretation of death: Death is not the end but the eternity.

Mutual Funds Essay

A mutual is a kind of investment-company that combines money from many investors and backers and invests the money in bonds, money-market instruments, stocks, other securities and sometimes even cash. A mutual fund in basic terms is a large group of people who lump their money together for management companies to invest. And, like most things in the world, there are fees and commissions involved. Mutual funds are managed by money managers, who capitalize the fund’s capital and try to produce capital gains and revenue for the fund’s investors. A mutual fund’s portfolio is organized and maintained to mimic the investment objectives defined in its catalogue. A mutual fund has many characteristics, which are listed below. Investors and backers purchase shares in the mutual fund from within the fund, or through a broker or fund agent, and cannot buy the shares from other backers on a secondary market such as the NASDAQ stock market or New York Stock Exchange. The amount that investors purchase their mutual funds shares for is the estimated net asset value or NAV per share in addition to any fees that the fund may charge at the time of purpose, such as sales charges, also known as sales loads. Mutual fund shares are convertible, meaning when an investor wants to sale their shares, they sell them back to the mutual fund or to a broker working for the fund at the net asset value less any fees the mutual fund may charge, such as deferred sales loads or reclamation fees. Mutual funds commonly sell their shares on a continuous basis, although some funds will stop selling when, for instance, they reach a certain level of assets under management. The investment portfolio of a mutual fund is typically managed by separate entities known as investment advisors that are registered with the SEC. Furthermore mutual funds themselves are registered with the SEC and subject to SEC regulation. There are many forms of mutual funds, which include index funds, stock funds, bond funds, and money market funds. Each type of mutual fund has a different investment objective, strategy and investment portfolio. Different mutual funds are also subject to different risks, volatility, and fees and expenses. Fees related to a mutual fund reduce returns on fund investments and are an important feature that investors should consider when buying mutual fund shares. Mutual funds come in two main types, categorized by how the fees are charged. The types are load mutual funds and no-load mutual funds. A load mutual fund charges for the shares/units purchased plus an initial transactions fee. The initial transaction fee is typically no more than 9% of the investment fund amount or can also be a standard fee contingent on the mutual fund provider. This fee is added to your purchase as a sales fee. There are a couple different types of load funds out there. Back-end loads mean the fee is charged when you redeem the mutual fund. A front-end load is the opposite of a back-end load and means the fee is charged up front. A no-load fund means investors and backers can buy and redeem the mutual fund units/shares whenever without a commission or sales charge. Some companies such as banks and broker-dealers may charge fees and commissions for the transaction and exchange of mutual funds. Many no-load funds charge a fee if you redeem them early. Most people endorse avoiding load funds altogether and studies have shown that load mutual funds and no load mutual funds offer the same return, however, one charges a commission fee. A 12B-1 fee is the yearly marketing or sharing fee on a mutual fund. The 12B-1 fee is treated as an operational expense and is incorporated in the fund’s expense ratio. The 12B-1 is usually between .25% – 1% of a fund’s net assets. The name of the fee comes from a segment of the Investment Company Act of 1940. An electronically traded fund or ETF is a security that follows an index, group of assets or commodity, but trades them like a stock on an exchange. Prices for ETFs change throughout the day when they are bought and sold. Because ETFs are traded like stock, they do not have NAVs calculated everyday. References 1. â€Å"U.S. Securities and Exchange Commission Information on Mutual Funds†. U.S. Securities and Exchange Commission (SEC). Retrieved 2011-04-06. 2. Fink, Matthew P. (2008). The Rise of Mutual Funds. Oxford University Press. p. 9.

Beethoven Concert Symphony

The dates of the performances are not known because this is a review of an E-concert recording. I will begin with the piece that was personally named by Ludwig Van Beethoven, Pastorale Pastorale is a five movement symphony, the only one with five movements that Beethoven wrote. Each movement is individually titled although Beethoven noted that the names were merely suggestions and were not to be taken literally (Classicalmusiceducation. om). The music does however seem to match up beautifully with the titles. The first movement is titled; Awakening of Cheerful Feelings on Arriving in the Country, Allegro ma non troppo and begins with an opening drone. The piece has a very quick, but somehow leisurely pace that repeats itself in a typical sonata form. Themes emerge, but do not seem to be in conflict as in other symphonies, there is a lack of noticeable tension. Imagine a forest, with the sounds of nature in perfect harmony, the winds rustling through the trees and birds chirping and s inging. The movement concludes with a coda comprised of a powerful increase in volume and emphasis with a return to the opening theme as basses Join in. The second movement is titled; Scene by the Brook, Andante molto mosso and continues the calm and relaxed mood set in the first movement. This movement seems to be in variation form. A gentle melody develops and the music seems to quicken. A completely new tune is introduced by a bassoon that is repeated several times. The themes are passed from woodwinds to strings and back to the full orchestra several times. Woodwinds seem to represent bird calls throughout the movement further adding linkage to the title. The end is marked by a flute and clarinet in a virtual bird conversation. This appears to be a cadenza before the ompletion of the warm and rich movement. The third movement is titled; Merry Gathering of Countryfolk, Allegro, This movement is a classic scherzo in triple meter. The opening theme is conducted by the entire orchestra. This movement is in great contrast to the first two, much faster and more powerful. The scherzo gives way toa trio that is quite energetic. The woodwinds are splendid in their representations ot birds again . The Scherzo seems to repeat in a a compressed fashion. The movement ends with a strong cadence that ends sharply and shifts to the next movement. The fourth movement is known as; Thunderstorm allegro. The bass is deep and vibrant, the woodwinds pierce the air, and the entire orchestra create a powerful stormy atmosphere. The rise and falls of this piece are dramatic and enhanced by the strings piercing anxiety. The sounds seem to shake the environment, rhythm is hard to detect, everything is crashing and disjointed, much like a real storm. Suddenly there is calm as if the storm has dissipated and the beautiful country side has reappeared. The fifth and final movement is called; Shepherds song, Glad and Grateful after the Storm Alegrettd. The main theme is introduced by clarinets, horns and violins. The main theme is repeated several times with variations as the woodwinds are intermixed. The entire orchestra Joins in an extended transition as the opening materials are reintroduced. There is an extended coda and the main theme is varied. There does not seem to be a climax in the ending, Just a final strong cadence and a magnificent sense of completion that is enlightening. The five movements of Beethovens Symphony No. 6 Pastorale draw listeners in with a quick, but leisurely tempo and rich developed movements. The symphony seemingly flows and fits the titles beautifully. It is easy to paint a picture ofa noble ountryside, nature, and all the activities it entails. Beethovens Piano Concerto No. 5 Emperor is a three part traditional concerto, an Allegro, Adagio, and the Rondo. This concerto was named Emperor because of the powerful themes and heroic note of the composition (wrww. all-about-beethoven. com/ concert05. html). The opening of the concerto brings a main theme introduced by a solo piano with the full orchestra providing a dramatic presence of several chords. The piano flourishes grow in length until reaching a cadenza after the third time. The full orchestra Joins in and carries the theme into the full exposition. The theme is bold with a pleasant interjection of a second subject that seems to tiptoe through the movement. The orchestra stays in the tonic key as the piano modulates and reaches a wide variety of tones as the scales are worked. The development of the movement effectively flips the lead. The orchestra now leads and the piano accompanies. The main theme rhythm is reinforced by a powerful bassoon. The coda is lead by horns and Joined by the rest of the orchestra to a thrilling close. The second movement is a slow movement and begins quietly with a simple main theme presented by strings. I felt like I was in church. The melody of the movement makes it seem simple but it still has many variations within. The original theme is maintained within the development in a very refined and deliberate way. This movement evokes clarity and relaxation. The piano builds toa crescendo and backs away as if were weeping. The piano is seems to fade away as a low woodwind plays long notes and sustains the theme. A very low tone on the piano and woods is held for long periods and then the piano dashes out vibrantly and the orchestra Joins in a spirited conclusion of the movement. The third movement is a classic rondo that seems to begin without a distinct break rom the second. The piano again traverses the scales dramatically and is accompanied by the orchestra. The drums fade as the piano solo fades out. With the pause, the piano Jumps aggressively back into the chromatic scales which are a foundation of the themes throughout the concerto. The orchestra is along for the ride toa rapid and powerful finish. The Pastorale symphony and Piano Concerto Emperor present dynamic representations of nineteenth century music which represented more direct and unrestrained emotions (Strayer 209). Both pieces are energetic and lead the listener through a winding path of emotion.

Air china case study Essay Example | Topics and Well Written Essays - 2000 words

Air china case study - Essay Example In other words, marketing audit facilitates the process of determining marketing objectives for the firm. While developing the marketing objectives it must be ensured that they are relevant to the corporate mission and vision. Furthermore objectives should be clearly understood by the firm itself. Moreover it should be closely related to the financial, human resources and infrastructural capabilities of the organisation. Establishing appropriate marketing objectives is the key to the organisation’s overall capability of achieving high level performance. Dibb, Pride, Simkin and Ferrell stated that â€Å"a marketing objective is a statement of what is to be accomplished through marketing activities† (Beamish & Ashford, 2005). A properly developed marketing objective should have SMART components, in other words objective should be Specific, Measurable, Attainable, Realistic and Time bound (Beamish & Ashford, 2005). This report describes the marketing objectives that are de veloped in the context of Air China. The report also includes the recommended strategies for achieving these objectives. Air China is one of the largest airline operators not only in China or Asia but in the entire world. As far as market capitalization is concerned, Air China is the largest carrier in the world. In its home country the company has almost 23% market share, ranking just behind China Southern and China Eastern which are the largest and second largest players respectively in the country (Lei, 2010). However, the company is China’s largest international carrier. It is a state-controlled company that is better known as the flag carrier of China. As far as recent developments are concerned, in March, 2010 the company announced its plan of taking over Shenzhen Airlines which is another important player in the Chinese airline market. On March 22 the company declared that it has acquired Shenzhen Airlines. According to Air China, almost $100 million will be

Florida history Research Paper Example | Topics and Well Written Essays - 1250 words

Florida history - Research Paper Example During the early 1860s’ Civil War, Florida became the third state to sever ties with the Union. This paper examines the history of Florida ending 1877. The colonial conflicts witnessed during the Spanish rule kept the population of Florida’s native communities at bare minimum (Wilkinson 1). Groups of Seminole Indians inhabited urban centers along the Suwannee River and in what is currently known as Alachua County. The native Seminoles reared farm animals, which they depended upon as sources of food and transport (Clavin 792). The communities were also keen on trading them with the foreign settlers. The development of the United States of America into a more modern society also shaped social, political and economic activities in the state. Many Americans thought occupying land in the Spanish Florida was profitable or fashionable. In addition, runaway slaves maintained a steady inflow into the region. St. Augustine’s finest team of warriors was comprised of a 50-member unit of non-whites who had escaped servitude. At the same time, servitude became the order of the day in Florida as British, French, Cuban and local American settlers established large farms for rice and cotton farming (Wilkinson 1). Like settlers in other American states, Florida’s settlers used the slaves as laborers in the plantations. There were limited periods of tranquility, however. In 1810, a popular rebellion against colonial Spanish began in West Florida. Two years later, American soldiers were in control of sections of East and West Florida during the First Seminoles War. In 1817 and 1818, Union troops again advanced across the border to reign over the native Seminoles (Dyer 283). A year later, Spain agreed to transfer the two Florida regions under their control to the United States. The agreement was finalized in 1821. Under American control, the East and West Florida were united to form one American zone, which became the modern

Managing Information Technology Essay Example | Topics and Well Written Essays - 250 words

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Air Transat Internal and External Analysis (Aviation Industry) Research Paper

Air Transat Internal and External Analysis (Aviation Industry) - Research Paper Example The airline industry has a number of dominant economic features that determine the success of a company. These include:Service life cycle: the airline industry has reached the maturity stage of service lifecycle meaning no growth or decline. The industry consists of many small and large airline companies with the service being provided to local, regional, and global levels according to the size of the company. The number of buyers: buyers consist of groups, individuals and families in the airline industry with bulk buyers having more bargaining power compared to individuals. Buyers who have loyalty cards access the most bargaining power owing to discounts. Differentiation: differentiating on price, service, and quality ensures companies success in the market. Since there are many buyers in the market, low price, quality, and customer reviews are the main focus in the airline industry. Suppliers: two main suppliers, Airbus and Boeing supply the whole airline industry with aircrafts co nsisting of thousands of aircraft companies. Technological advancement aids in product improvement and development. Experience: having experience in the airline industry is the main advantage for success resulting in the inability of instant success for new entrants. Experience allows for airline companies to develop economies of scale allowing for cheaper cost and pricing strategies. Experience also allows companies to have a better understanding of costs and profitability strategies.